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 With the development of the Iris inkjet printer in the early 1990's, digital printmaking became beautiful and accepted technology. When Epson released the Photo Stylus series, they revolutionized the resolution, color gamut and archival nature of digitally printed images. George DeWolfe has spent the better part of the last decade working with, advising and testing new technologies, and developing a work flow for digital printmakers. He will cover monitor calibration, set-up for B&W images, contrast control, light enhancement, and the simple 16 bit layer workflow that is the backbone of this process ›Class enrollment limited to 6. |
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 ©George DeWolfe
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 George DeWolfe's has been imagemaking for 35 years, studying with Ansel Adams and Minor White and taking his degree in photography from Rochester Institute of Technology. Currently he is senior editor for ViewCamera Magazine and Camera Arts, product testing and advising for Epson and other digital and inkjet companies and adjunct faculty of photography and graphic art at College of the Atlantic.
For more see: www.georgedewolfe.com
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